So I got really busy and didn't have time to do these most of the week, so here are a few of the questions so I can catch up. I should be at Day 13.
10. What are some really weird situations your characters have been in?
In my early writing there were a lot of interesting situations, because I kept the stories suitable for YA and younger readers, where the slightly unbelievable is almost expected. Since then, and since editing, I've cut down. I try and stick to things that are realistic. I am embarrassed at some of the dumb situations I put my characters in, because the majority of the novel would be realistic, then I'd thrown in this stuff that didn't work - armed robberies, fancy vacations out of nowhere, crazy kids doing crazy things at boarding school, things like that. It was hard to just let some of it be instead of pick at it and try and make it real. Part of the reason people read is to be taken into a situation different from their own, so I want to preserve some of the stuff I see as being outlandish.
11. Who is your favorite character to write? Least favorite?
My favourite to write is probably Joy Morrison from my Brookline University series. She is completely unlike me, which is probably why I enjoy writing her so much. I think I really got into writing her when I wrote the prequel novels, because I had a lot of fun showing how she came to be the way she was in the BU series. I had a lot more freedom for her to be out of control sometimes. She has problems ... but she also has a lot of drive and moxie, which I admire.
I also really like to write Tim, who is a character in my yet-to-be written novel and from La Muerta. Writing a male POV is usually difficult for me, but I really enjoy him. He is controlled, he is unemotional and trying to show his evolution into someone who allows himself to feel the full breadth of emotions in his life is really challenging.
I also liked writing Lupe, from La Muerta. It was my first time writing a character of another cultural background, so I found it difficult, but rewarding. She has a different take on things because of her background, and she challenges other characters, which I also like.
Least favourite ... sometimes I didn't like writing Libby Morrison, because for the longest time I felt like she had all of my boring qualities. When I first created Libby and Joy I imagined them in two ways Libby as me and Joy as how I wanted to be. I've since revised and changed a lot of that - Libby has the steady characteristics I've always wanted and Joy has some of the impulsive ones I wouldn't mind having. I had to give Libby some kind of edge over Joy - so I gave it to her in terms of her stability and her abillity to move through challenges and not let them destroy her, whereas Joy gets through them, but she barrels through and sometimes needs more from people to do it. Since writing the prequels I like Libby more because I really tried to enhance her character, so I hope I can bring that to the BU series so she isn't a person on the sidelines that is boring for me to write.
12. In what story did you feel you did the best job of worldbuilding? Any side-notes on it you'd like to share?
I think fan fiction was where I did a good job. Most of my original writing didn't require a lot of world-building. My fan fic was historical, so there was a lot of research put into it. I actually enjoy writing recent historical stuff now - Brookline actually takes place in the early '90s. I found it more fun to set stories in different times after I got past my initial fear of it.
I have always wanted to write a novel with some kind of sci-fi or fantasy element so I could try world building. I am very organized, I love maps and floor plans and things like that, so I feel like I could have a lot of fun really creating a universe.
13. What's your favorite culture to write, fictional or not?
I haven't really written outside of my own cultural experience, except for La Muerta, where the main character is a Mexican girl. I was really reluctant to write her at first, but then decided I would write her however she came to me and worry about culture later. i found her voice was easy to capture, and I think it's in the details where I need to enhance the cultural aspect. There is a really fine line with stereotypes sometimes, and I want to make sure I don't turn her into one. I also feel like in the end, the story is not really about her cultural background, but about the experiences she went through and who she is as a person. I don't know if this is because of a reluctance to include the cultural aspect or because it honestly didn't influence her personality in the story, I don't know.
Taking the question a different way, I really loved writing about what I felt was an "American college experience" in Brookline. I think I've made it a little less NCAA-I than it was before for the sake of realism lol. But I loved creating a college campus and filling it with everything I would have wanted in an American college experience (my experience in Canada as a commuter student was much different). So that culture was fun for me - the sorority and fraternity culture was also a lot of fun to write.
Okay ... hopefully I'll be back on track posting this tomorrow!